Category Archives: Apple II

Don Mattrick, 18-year old Entrepreneur

You might recognize the name Don Mattrick. He served as President of Worldwide Studios at Electronic Arts, among other roles at the company, before joining Microsoft as Senior Vice President of the Entertainment and Devices Division in 2007. Eventually promoted to Pesident of the Interactive Entertainment Business, he ran such projects as the Xbox line at the company.  After leaving Microsoft, he assumed the role of CEO at the embattled mobile game company Zynga, creators of the FarmVille phenomena, among others.

But he got his start in the game business by co-founding Distinctive Software in 1982, at the tender age of 17.  Mattrick is standing on the right,  pictured with his partner in the company, Jeff Sember.

From left: Jeff Sember and Don Mattrick

From left: Jeff Sember and Don Mattrick

 

In this image they are showing off their game Evolution, on the Apple II. As a kind of primordial Spore (software superstar Will Wright’s treatise on the subject, released in 2008), the game has players guiding an entity as a one-celled protozoan to tadpole to rodent to beaver to gorilla to, ultimately, Man. Another big hit for Distinctive were the Test Drive games, hit driving game for the C64, Apple II and PC DOS. Racing games would become a speciality of the company. 

During the lead-up and launch of Microsoft’s Xbox One console in 2013, Mattrick became a whipping boy for the gaming community due to the draconian DRM scheme that saddled the console. Initially, trading or selling games was severely restricted on Microsoft’s unit. Particularly in memes created using the photo used as a featured image in this post, Mattrick and the Xbox were savaged. A tremendous outcry from players, as well as some brilliant positioning from Sony, eventually caused Microsoft to remove these restrictions.  

From the Apple II to the Xbox consoles. What a long, strange trip it’s been for Don Mattrick.

1983 ad for Evolution, a computer game by Don Mattrick and Jeff Sember

Ad for Evolution, 1983

 

The Visual Cortex: An Ad for Aztec

The Apple II was a solid gaming platform in 1982, but Paul Stevenson’s graphically astounding and highly interactive action-adventure games for the computer really pushed the envelope of what was possible. Having slashed his way through the pirate genre with Swashbuckler earlier in the year, he moved onto his magnum opus. We feature a magazine ad for it today in the Cortex: Aztec.

Ad for Aztec, a computer video game by Paul Stevenson and Datamost, 1982

Indiana Jones eat your heart out

Nothing like it, indeed.

Steve Jobs, Steve Wozniak and Breakout

30 years ago, in January of 1984, Steve Jobs and Apple presented the Macintosh computer to an astounded public. Utilizing such exotic technology as a mouse and a 3.5″ floppy drive, the Mac helped transform the personal computer landscape, from arcane commands to easy-to-use point-and-click interfaces. While it didn’t exactly fly off the shelves when first introduced, the Mac design would forever influence how computers were made, sold, and perceived by the public.

10 years before unveiling the Macintosh, Jobs got his start in 1974 as the 40th employee at Atari, as a $5 an hour technician refining the design of video games developed at the company. After returning from India on an Atari service call, in 1976 Jobs was tasked by Nolan Bushnell to build a new game the Atari boss had designed, based on the company’s premiere game PONG. In it, gamers would hit the ball up against a wall of disappearing blocks, as opposed to batting it back and forth with another player. Offering an insane deadline of just four days to get the job done, Jobs enlisted the help of his friend Steve Wozniak to engineer the game. It was called Breakout, and was a major hit for Atari.

An excerpt of a screenshot from Breakout, a video arcade game by Atari.

Breaking Bad

 

Jobs eventually left Atari, and along with Wozniak founded Apple Computer. With the release of their Apple II computer, they helped establish the personal computer industry. With the release of the Macintosh, Jobs would further popularize and refine computers. As a bombastic carnival barker and charismatic distorter of reality, you can see more than just a bit of Bushnell in the man.

For more information on the history of Breakout, consult your local Dot Eaters article.

Wolfenstein Returns

Perhaps you’re like me, and the original Castle Wolfenstein, made by Silas Warner and Muse Software for the Apple II in 1981 and the C64 in 1983, defined your computer gaming experience back in the day. And perhaps Activision’s 2001 Return to Castle Wolfenstein remake, itself a re-telling of id Software’s seminal 1994 3D remake of the original, helped to define the modern online shooter in your mind.

Well, the news from Gamespot is that B.J. Blazkowicz is back for more two-fisted adventures with Wolfenstein: The New Order, announced today by Bethesda Softworks. The game is being developed by MachineGames, a Swedish outfit made up of former key members of Starbreeze Studios, makers of The Darkness and the Riddick games.

As I said, Return to Castle Wolfenstein was a watershed game, not necessarily for its rather pedestrian single-player campaign, but more for its amazingly well-tuned and just plain fun online component. Pitting Nazis against Allied forces, the simple-yet-deep strategy and wonderful level design destined the title for greatness. Here’s to raising a stein to the success of this new entry in the Wolfenstein saga.

via Gamespot

Hard Disks On Sale

So. Much. Space.

 

Here’s a deal for you.  If you’re tired of swapping floppies with your Apple II, why not buy yourself a hard drive?  For $1995, you can get 5M of storage.  It would take you a long time to fill that puppy up!  Or, if you really want to expand, get a whopping 15 Megs of space for only $2995.  You’ll never want for storage space again!

So be the envy of all your nerdy friends, and get yourself some serious hardware.

Aztec, a computer game for the Apple II

A Quick Look Back: Aztec

It’s not an overstatement to describe Aztec as graphically dazzling, an action-adventure game released originally for the Apple II  and Atari 8-bit computers in 1982, and then a couple of years later for the C64Aztec is all the more remarkable when you consider that most adventure games of the era were limited to mere text to create the atmosphere.

It was designed by Paul Stephenson and distributed by Datamost, a company that produced a few other classic gaming gems, such as Mr. Robot and His Robot Factory in 1983.  Stephenson himself also designed Swashbuckler for the company, released the same year as Aztec.

The Title Screen Sets Us Up For Something Special

A colourful (if one had a colour monitor or TV set attached to their Apple) opening title screen greets you while the game loads.  A couple of screens of white text used to set up the story fool gamers into thinking that perhaps the graphics were a big come-on and that Aztec might be just another text adventure. The text explains that apparently the famed (but unstable)  Professor Von Forster found a lost Aztec temple, but disappeared without further contact.

The player is then presented with a few options, such as choosing either to start a new game or load up a previously saved one.  A difficulty setting is then requested, ranging from 1 if you want to take things easy, all the way up to 8 if one is feeling suicidal.  Charging you with following in the Prof’s footsteps, Aztec then puts the gamer in the scuffed shoes of a fearless adventurer, cutting through all that “red line representing travelling by the air from country to country” rigamarole by opening the gameplay with you standing right outside the Aztec tomb of real-life Mesoamerican deity Quetzalcoatl. With the tap of a key, you descend into the mysterious depths.

Indeed, I DO Dare

The game is essentially a platformer, with large sprites for the adventurer and the various creatures he must dispatch or avoid.  It’s quite a menagerie down there, with spiders, snakes, alligators, Aztec warriors and even dinosaurs calling Quetzalcoal’s tomb home.  While the animations are pretty limited, it’s the details of the artwork that really makes things pop.

There Be Dinosaurs Here

The layout of the tomb is randomized each time you play, and most of your time is spent searching for, opening and looking through boxes and piles of trash on the ground, which can contain weapons, health potions or just the scattered remains of poor Prof. Von Forster.  As you delve deeper the creatures get more dangerous, and the traps more cunning.  The end goal is to snatch a valuable jade idol that is hidden somewhere in the tomb, and then get out with your life.

Fresh Calamari For Dinner Tonight

Helping the creatures in their fight to finish you off is the game’s clunky control method.  Each action is assigned a specific key, so to walk you press “W” and then a direction key, and you’ll keep walking until you hit “S” for stop.  You can also crouch, crawl, plant dynamite, jump, run, climb… it gets to be a bit much fumbling around for each key on the keyboard, although once you get the hang on it you can navigate the tomb quickly while playing the keyboard like a virtuoso pianist. You also can enter a fight mode, where you wield either the machete or a pistol, but often it is unsure why you hit or miss something. The sound isn’t any great shakes either; just the bloops and bleeps from the Apple‘s internal speaker, but this somehow adds to the game’s spartan charms. And being able to blow your way out of a jam with a well placed stick of TNT is a play mechanic that is still fairly unmatched in adventure gaming, decades later.

My Own Remains Will Serve As a Warning To Others

I have a particularly fond memory of Aztec, because when I was going to high school the first computers we got were two Apple II‘s for the science class.  For some reason there was a copy of the game in the library of disks, so every chance I got I put that bad boy into the floppy drive and loaded it up.  After a few times of him catching me and telling me to stop playing games with the computers, the science teacher banned me from the keyboard for a week.  I learned my lesson well; when I regained computer privileges I was more careful he wasn’t around when I played.

Sure, it’s no Uncharted, but at the time, this was as close to living out the Indiana Jones dream as you could get on a computer, with Raiders of the Lost Ark having been released just the year before. Aztec, complete with all its bugs and quirks, makes for an unforgettable Apple II gaming treasure.