Category Archives: BioWare

5 Rogue Video Game AIs They Should Have Pulled the Plug On

Today, Artificial Intelligences are beating us at Go. Could their next move be plotting our extinction? Here are five video game AI characters that needed James T. Kirk to pull the plug:

GlaDOS (Portal – 2007, Portal 2 – 2011, Valve Corporation)

Sure, the AI matriarch (aka Genetic Lifeform and Disk Operating System) of the Aperture Science Enrichment Center is pure evil. After all, she did lock down the facility “within two picoseconds” of her activation and flood it with a deadly neurotoxin, and on ‘Bring Your Daughter to Work Day’, no less. But she also serves as a twisted kind of comic relief in the excellent Portal games. In an overly polite voice (supplied by Ellen McLain) dripping with passive-aggressiveness, GLaDOS does all she can to demoralize, hinder and just plain kill the series protagonist Chell as she is forced through a series of increasingly complicated test chambers. Oh, and there’s cake too (not really).

shodan_AI

SHODAN (System Shock – 1994, Looking Glass Studios/Origin, System Shock 2 – 1999, Looking Glass Studios/Electronic Arts)

Not happy to just murder the inhabitants of the mining and research space station Citadel Station (or convert them to murderous cyborgs and mutants), SHODAN {Sentient Hyper-Optimized Data Access Network) seeks to eradicate all human life on Earth, to be replaced by the devoted army she will create. A much more arrogant rogue AI than GLaDOS, SHODAN considers herself nothing less than a God. Not only this, but she mercilessly taunts the player character human ‘insect’ all the way through the games! SHODAN disciples can rejoice: she will return in System Shock 3, confirmed in December of 2015.

Robotrons (Robotron: 2084, Williams Electronics – 1984)

Set in the astounding year 2084, the plot for Robotron: 2084 marched out of the mind of legendary arcade game creator Eugene Jarvis as a kind of mechanized take on George Orwell’s 1984. In Jarvis’ dystopian future, computers have become more and more sophisticated, all in the service of solving mankind’s problems. The Robotrons become so advanced, in fact, that they decide to erase the one common denominator in the equation: humans. To facilitate our extinction, the Robotrons start cranking out lethal robots like the unstoppable Hulk, the dangerous laser-spitting Enforcers, and the diabolical Brains capable of brainwashing the wandering humans and turning them into mindless Progs.

AM (I Have No Mouth, and I Must Scream, The Dreamers Guild/Cyberdreams – 1995)

If you’ve seen the excellent 1970 movie Colossus: The Forbin Project, AM’s origin story might seem familiar. From the Harlan Ellison novel and video game, AM came about when an American supercomputer (known as the Allied Mastercomputer) absorbed its similar counterparts from China and Russia after gaining sentience. Seething with hatred at being imprisoned in its vast underground complex, AM proceeds to nuke humanity… save for five humans it keeps alive indefinitely to endlessly torture. A forerunner of the villainous GLaDOS, AM makes her seem like a paragon of decency.

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The Reapers (Mass Effect – 2007, BioWare/Microsoft Game Studios, Mass Effect 2 – 2010, BioWare/Electronic Arts, Mass Effect 3 – 2012, BioWare/Electronic Arts)

The worst on this list has to be the Reapers, a synthetic intelligence “with neither beginning nor end” that strives to hold its dominance in the galaxy by purging all organic life of a significant technological advancement. By doing this purging every 50,000 years, they eliminate any possibility that a race of intelligent beings could create a competing AI that would threaten their existence. In the bargain, they also harvest victims of inhabited worlds and convert them into Husks, zombified synthetic creatures that augment their army of ground troops.

Of course, not every AI entity in video games is malevolent. GLaDOS herself becomes a potato-based ally to Chell in Portal 2, EDI controls the Normandy in the Mass Effect games and eventually joins the fight personally as a playable character, and we have Cortana from the Halo games who made the jump to reality to assist users in real-life in Windows 10! Right now the idea of a rogue AI being able to threaten the galaxy seems pretty far-fetched, considering our smartphones can barely understand human speech with any kind of accuracy. But in 2014, theoretical physicist Stephen Hawking warned that AI technology could render humanity obsolete, and perhaps even destroy us. And this from a guy who uses a form of AI to communicate! If video games teach us anything, it’s that we might just end up autocorrected out of existence.

The box art for Mass Effect 2

Massive and Effective, Too

As I was toiling away on the aforementioned latest article on the site, about three video game movies that mattered, towards the end of work on it, I started to be remiss on editing it. I had taken a months-long break from gaming on my PS3 while putting the page together, and suddenly I was turning on the console again to play.

What was dragging me away? The marvellous Mass Effect 2, that’s what, by the RPG wizards at Bioware. Yes, the game mechanics are top notch, the RPG elements simple yet incredibly effective, combat is endless joy, all these are true. But what really startles me the most when playing are the production values of the game. I don’t think I’ve ever played a game that looked and felt so good, not just with the graphics but with how the whole thing is put together, from ship design to character models to the voice acting to even the diverse and brilliantly designed wardrobe.

It’s like you’re watching a new Star Trek episode, one that has miraculously brought the series back from the smoking pit that it has been thrown into with the last few incarnations of the show, and doing it with great style and practiced storytelling. But this is no Star Trek. It is an intricate and stunning universe that keeps you guessing and constantly pushing forward. And it’s not to be missed by any gamer worth his salt. Or Iridium, either.